Pianonuotit

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OP 34. URTEXT Lisätietoja

Beethoven, Ludwig van
Bagatelle in a minor WoO 59 (Für Elise)

Editor: Joanna Cobb Biermann
Fingering: Rolf Koenen.


There are probably very few piano students who have not tried their hand at this piece, it is undeniably one of the most popular classical piano pieces today. And yet unanswered questions still remain. They not only concern details in the musical text but also its famous nickname: Is “Elise”, the reading in the dedication in the autograph, even actually correct? Or should it read “Therese”? And whom might Beethoven have actually meant? The most recent findings with regard to these questions are documented in our Henle Urtext edition Lisätietoja

NR.8 C-MINOR, OP 13 URTEXT Lisätietoja

Beethoven, Ludwig van
Piano Sonatas, Volume I
Ed.: Bertha Antonia Wallner, Fing.: Conrad Hansen Lisätietoja

At the Piano - 15 well-known original pieces

Editor: Sylvia Hewig-Tröscher
Fingering: Sylvia Hewig-Tröscher.

Brahms’s music does not have to be difficult or melancholy – our selection here proves it. Even less advanced pianists will find playable, immediately appealing pieces amongst his works for piano. His delicate intermezzi are dreamy and soulful in mood, while our selection of his waltzes (which Brahms himself published again in simplified versions) shows his cheerful, “Austrian” side. Lisätietoja

“No opus number” is what Brahms gave his astonished publisher to understand, when he offered him the Hungarian Dances for publication in 1869. He placed a great deal of importance on the fact that he had merely “set” popular Hungarian melodies andnot composed new works as such. As true as this reservation is, it did not affect the success of these works. The Hungarian Dances are today without a doubt amongst Brahms’ best-known compositions. Brahms himself made an arrangement of the dances1 10, originally for piano four hands, for solo piano. We are now publishing a revised version of these impressive pieces with the up-to-date text in the new Brahms Complete Edition. Rolf Koenen’s fingerings provide the best possible help formastering these complex works. Lisätietoja

Johannes Brahms
Symphonies no. 3 and 4, Arrangement for Piano Four-hands

Editor: Robert Pascall
Fingering: Andreas Groethuysen.

Urtext Edition, paperbound

Pages: 131 (XI, 120), Size 31,0 x 23,5 cm
Order no. HN 1199 · ISMN M-2018-1199-4.

In order to also promote the circulation of his works outside the concert hall, Johannes Brahms made piano arrangements of many of his orchestral works. As the composer, he was able to take greater liberties than any other arranger would have been able to take. And it is precisely due to Brahms’ creative ideas in the piano scoring that his arrangements have enjoyed renewed interest in the music world over the past decades. With our Urtext edition of the Symphonies Nos. 3 and 4, based on the musical text in the Johannes Brahms Complete Edition, our catalogue now contains all four symphonies in the authentic piano arrangements made by the composer. Once again, Andreas Groethuysen has kindly provided the fingerings. Lisätietoja

Lisätietoja

Now available as a book and CD edition.

Pre-practice technical exercises for the Piano.

The purpose of this book is to help develop strong hands and flexible fingers. The idea is to learn two or three exercises at a time, which should be played each day before practicing. Only when these are mastered should you add another. When all in the first group are mastered, the next group may be introduced. Many of these exercises may be transposed to different keys.

The accompanying CD is a wonderful tool for enhancing these exercises with highly acclaimed midi-orchestrated backing tracks - learning becomes so much fun!

Each track is split to enable the pupil to hear both Piano part and accompaniment is the balance is centred, the accompaniment without the Piano is the balance control is all the way to the left, and the Piano part alone if it is all the way to the right!
An ideal accompaniment to practice. Lisätietoja

Now available as a book and CD edition.

Pre-practice technical exercises for the Piano.

The purpose of this book is to help develop strong hands and flexible fingers. The idea is to learn two or three exercises at a time, which should be played each day before practicing. Only when these are mastered should you add another. When all in the first group are mastered, the next group may be introduced. Many of these exercises may be transposed to different keys.

The accompanying CD is a wonderful tool for enhancing these exercises with highly acclaimed midi-orchestrated backing tracks - learning becomes so much fun!

Each track is split to enable the pupil to hear both Piano part and accompaniment is the balance is centred, the accompaniment without the Piano is the balance control is all the way to the left, and the Piano part alone if it is all the way to the right!
An ideal accompaniment to practice. Lisätietoja

Now available as a book and CD edition.

Pre-practice technical exercises for the Piano.

The purpose of this book is to help develop strong hands and flexible fingers. The idea is to learn two or three exercises at a time, which should be played each day before practicing. Only when these are mastered should you add another. When all in the first group are mastered, the next group may be introduced. Many of these exercises may be transposed to different keys.

The accompanying CD is a wonderful tool for enhancing these exercises with highly acclaimed midi-orchestrated backing tracks - learning becomes so much fun!

Each track is split to enable the pupil to hear both Piano part and accompaniment is the balance is centred, the accompaniment without the Piano is the balance control is all the way to the left, and the Piano part alone if it is all the way to the right!
An ideal accompaniment to practice. Lisätietoja

Initiated a new genre of piano music, the ballades are not known earlier in instrumental music. Widely defined phrases, accelerated and slowed musical narrative, culminations in great climaxes, or ending with codas full of pathos - these qualities give Chopin's ballads a special, epic tone. These works were edited by by I. J. Paderewski, L. Bronarski and J. Turczy ski. Lisätietoja

With Frédéric Chopin’s Fantaisie-Impromptu in c-sharp minor, G. Henle Verlag presents a further Urtext separate issue from among the most popular works of this central composer of romantic piano music. This ear-worm is “romantic” in the best sense: stormy, iridescent cascades produced by refined rhythms surround the hymn-like melody of the middle section. It is hardly surprising that Chopin fans easily end up rhapsodizing! What is surprising, however, is that the piece, still so popular today, is untitled in the source materials, and was not published until after the composer’s death. Moreover, there exist two versions, we print them both in our individual Urtext edition, whichmakes it easier to compare them with one another. Lisätietoja

This fine selection features the most famous masterpieces by Frederic Chopin for solo piano. With Online Audio file featuring full performances of each piece! Lisätietoja

Lisätietoja

Chopin, Frédéric
Preludes
Ed.: Norbert Müllemann, Fing.: Hermann Keller Lisätietoja

Chopin’s early works include a wealth of new stimuli for anyone wishing to take a closer look at the creative works of the Polish genius. Up to now the four Rondos have been missing from our catalogue- but now they are finally available in Henle Urtext. Although they have been unfairly neglected, there are real discoveries to be made. It is hard to imagine that Chopin was only 15 when his Opus 1, the Rondo in c minor, was first published. Likewise, his Rondo op. 5, which incorporates the exotic sounds of Polish folk music, and the brilliant work in C major op. 73 were also written during his time in Warsaw. Without a doubt the young composer, who was the darling of the Warsawsalons, wrote these works as showpieces for himself. Here, and also with the Rondo op. 16, his mark is unmistakable. Lisätietoja

Details

Frédéric Chopin’s 4 Scherzi are high points in the Romantic piano repertoire. Chopin here takes a traditional genre and fills it with radically new content. They are wild, demonic in tone, and there is little about them that is joke-like, despite the original meaning of their title. Referring to the 1st Scherzo, Robert Schumann asked: “how should seriousness be attired, when even a ‘joke’ is veiled in black?”. Lisätietoja

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This Henle Urtext edition is very special, for behind the “Selected Piano Works“ concept is a compilation of Chopin’s most popular pieces. Moreover, the editor and publisher have placed great weight on selecting almost exclusively works of a medium level of difficulty, so that Chopin fans of almost all ages will gain maximum enjoyment from this edition. His most popular waltzes, mazurkas, préludes, polonaises and nocturnes are gathered together here, crowned by the immortal Fantaisie-Impromptu. Lisätietoja

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