The genesis of the Fourth Symphony possibly goes back to the 1870s when Brahms was studying the Bach Cantata “Nach dir, Herr, verlanget mich”, whose chaconne theme forms the nucleus of the finale. Around 29 August 1885 Brahms wrote to Hans von Bülow from Mürzzuschlag in Styria: “However I have a few entr’actes – which together form what one would usually call a symphony.
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