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Pikkupianistien alkeisvihkoa voidaan käyttää johdatuksena varsinaiseen pianokouluun tai harjoitusaineistona sen rinnalla. Learn More

Aaronin suosittu, perinteinen pianokoulu musiikkioppilaitosten perustasolle 1. Learn More

Aaronin suosittu, perinteinen pianokoulu musiikkioppilaitosten perustasolle 2. Learn More

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Albéniz, Isaac
Iberia - First Book
Ed.: Norbert Gertsch Learn More

JÄÄSKELÄINEN, KANTALA, SARMANTO-NEUVONEN. Pitkään toivottu, alun perin 1990-luvulla julkaistu Pianokoulu aikuisille, on jälleen saatavilla! Anna soida on ensisijaisesti aikuisille ja jo jonkin verran soittaneille tarkoitettu pianokoulu, heille, joiden pianonsoiton opiskelu on syystä tai toisesta keskeytynyt tai lykkäytynyt. Koulu sisältää monipuolista ja virkistävää ohjelmistoa, kaikille tuttuja kappaleita ja klassisia pienoishelmiä - ikivihreitä unohtamatta. Koskaan ei ole liian myöhäistä oppia soittamaan pianoa - anna soida! Learn More

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Bach, Johann Sebastian
The Well-Tempered Clavier Part II BWV 870-893
Ed.: Yo Tomita, Fing.: András Schiff Learn More

Bastien bit för bit är en rolig och komplett studiekurs i pianospel avsedd att ge unga elever den rätta starten. Studiegången och progressionen är noga avvägd för att eleven ska utvecklas i jämn takt. De färggranna illustrationerna hjälper till att hålla intresset uppe. Spelstyckena består dels av originalkompositioner, dels av välkända folksånger och popriff i roliga och bra arrangemang.
Bastien bit för bit är en skola som ger glädje parallellt med framsteg. Vi önskar att ni får del av den berikande känsla som musiken erbjuder varje barn.

James Bastien, Jane Smisor Bastien Förlag: Notfabriken Music Publishing AB
Artikelnr: NOTWP200SW
Utgiven år: 1985
Antal sidor: 64
Format: 304x230 (liggande Learn More

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OP 34. URTEXT Learn More

NR.8 C-MINOR, OP 13 URTEXT Learn More

Beethoven, Ludwig van
Piano Sonatas, Volume I
Ed.: Bertha Antonia Wallner, Fing.: Conrad Hansen Learn More

At the Piano - 15 well-known original pieces

Editor: Sylvia Hewig-Tröscher
Fingering: Sylvia Hewig-Tröscher.

Brahms’s music does not have to be difficult or melancholy – our selection here proves it. Even less advanced pianists will find playable, immediately appealing pieces amongst his works for piano. His delicate intermezzi are dreamy and soulful in mood, while our selection of his waltzes (which Brahms himself published again in simplified versions) shows his cheerful, “Austrian” side. Learn More

“No opus number” is what Brahms gave his astonished publisher to understand, when he offered him the Hungarian Dances for publication in 1869. He placed a great deal of importance on the fact that he had merely “set” popular Hungarian melodies andnot composed new works as such. As true as this reservation is, it did not affect the success of these works. The Hungarian Dances are today without a doubt amongst Brahms’ best-known compositions. Brahms himself made an arrangement of the dances1 10, originally for piano four hands, for solo piano. We are now publishing a revised version of these impressive pieces with the up-to-date text in the new Brahms Complete Edition. Rolf Koenen’s fingerings provide the best possible help formastering these complex works. Learn More

Johannes Brahms
Symphonies no. 3 and 4, Arrangement for Piano Four-hands

Editor: Robert Pascall
Fingering: Andreas Groethuysen.

Urtext Edition, paperbound

Pages: 131 (XI, 120), Size 31,0 x 23,5 cm
Order no. HN 1199 · ISMN M-2018-1199-4.

In order to also promote the circulation of his works outside the concert hall, Johannes Brahms made piano arrangements of many of his orchestral works. As the composer, he was able to take greater liberties than any other arranger would have been able to take. And it is precisely due to Brahms’ creative ideas in the piano scoring that his arrangements have enjoyed renewed interest in the music world over the past decades. With our Urtext edition of the Symphonies Nos. 3 and 4, based on the musical text in the Johannes Brahms Complete Edition, our catalogue now contains all four symphonies in the authentic piano arrangements made by the composer. Once again, Andreas Groethuysen has kindly provided the fingerings. Learn More