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SCHUBERT AT THE PIANO 12 WELL-KNOWN ORIGINAL PIECES
Sheet music
At the Piano - 12 well-known original pieces
Editor: Sylvia Hewig-Tröscher
Fingering: Sylvia Hewig-Tröscher....
€22.99
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HN1821
Details
Scherzo B flat major D 593
Three ''Ländler'' B flat major D 378 Nr. 6-8
8 Ecossaises D 977
Two Walztes A flat major D 365 Nr. 1 und 2
Menuett D major D 41 Nr. 16
Deutscher Tanz D major D. 790 Nr. 1
Impromptu A flat major op. post. 142,2 D 935
Moment musical f minor op. 94,5 D 780
Moment musical A flat major op. 94,6 D 780
Hungarian Melody b minor D 817
13 Piano Variations a minor D 576
Piano Sonata A major op. post. 120 D 664
Read More
Three ''Ländler'' B flat major D 378 Nr. 6-8
8 Ecossaises D 977
Two Walztes A flat major D 365 Nr. 1 und 2
Menuett D major D 41 Nr. 16
Deutscher Tanz D major D. 790 Nr. 1
Impromptu A flat major op. post. 142,2 D 935
Moment musical f minor op. 94,5 D 780
Moment musical A flat major op. 94,6 D 780
Hungarian Melody b minor D 817
13 Piano Variations a minor D 576
Piano Sonata A major op. post. 120 D 664
Overview
At the Piano - 12 well-known original pieces
Editor: Sylvia Hewig-Tröscher
Fingering: Sylvia Hewig-Tröscher.
Of the twelve composers in our series At the piano, Franz Schubert was undoubtedly the least at home at the piano but nevertheless what masterpieces he left us for this instrument! There is hardly any pianist who is not immediately captivated by the cheerful yet melancholy atmosphere of Schuberts impromptus and Moments musicaux. Even the simple pieces by Schubert at the beginning of this volume have surprising twists in store that afford them a profundity of their own. Nor are his dances mere entertainment. No matter how charming they may seem on the surface, there is always a wistful tone in his waltzes and ländler. This seems to reflect the gravely ill composers presentiment of his own death.
Editor: Sylvia Hewig-Tröscher
Fingering: Sylvia Hewig-Tröscher.
Of the twelve composers in our series At the piano, Franz Schubert was undoubtedly the least at home at the piano but nevertheless what masterpieces he left us for this instrument! There is hardly any pianist who is not immediately captivated by the cheerful yet melancholy atmosphere of Schuberts impromptus and Moments musicaux. Even the simple pieces by Schubert at the beginning of this volume have surprising twists in store that afford them a profundity of their own. Nor are his dances mere entertainment. No matter how charming they may seem on the surface, there is always a wistful tone in his waltzes and ländler. This seems to reflect the gravely ill composers presentiment of his own death.
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